“In the course of time the distance between sources diminishes. Beethoven, for instance, did not need to study all that Mozart studied–Mozart, not all that Handel–Handel, not all that Palestrina–because they had already absorbed the knowledge […]
Pianist Randall Hodgkinson has in recent seasons been on his own personal quest of re-discovering the Goldberg Variations, performing them in the solo piano arrangement on a faculty recital at the New England Conservatory of Music, on […]
Our Thirty-Second BCMS Season begins with a program consisting of Bach’s Goldberg Variations and Mendelssohn’s D minor Piano Trio. It is a program that highlights the simple act of rediscovery we each experience on hearing […]
Our last program of the thirty-first season concludes with three great virtuosic works—by Mozart, Mendelssohn and Françaix—that allow us to collaborate with instruments beyond those played by our member musicians. Each of these works brings […]
“What’s Past is Prologue” –Shakespeare “After it, follow it, follow the Gleam.” –Tennyson Our April program contains three works, including one premiere, that each owes existence to a shining example from the past. Beethoven’s […]
The Turina Piano Quartet, Beethoven’s early Viola Quintet and the later of the two Fauré Piano Quintets present three alternative yet affirmative ways in which a composer’s chamber music can project the inner life and evoke cultural atmosphere that […]
Each of the works on our February 2014 program blossoms from the iconic arrangement, albeit in different ways, of four simple tones. The Handel-Halvorsen Passacaglia for Violin and Viola is a set of virtuoso variations, […]
That BCMS has performed music by Johannes Brahms (1833-1897) more than any other composer may speak to the comfort and completeness it evokes fulfilling the ideals of the German Romantic spirit, whether the sense of […]
This November we present three major works that became even more notable for owing their very existence and subsequent popularity to great friendships. Mozart’s Duo in Bb for Violin and Viola K. 424 (1783) is […]
“…[the] first shall be last; and the last shall be first.” Matthew 19:30” Our thirty-first BCMS season begins with the programming of three works that are among the first and lasts of their kind by […]
