Why Gershwin?
Pianist Randall Hodgkinson performed a recital through Groupmuse a week prior to our French Connection concert. After an evening of solo pieces by Fauré, Debussy and Ravel, he ended the program with three preludes by […]
Pianist Randall Hodgkinson performed a recital through Groupmuse a week prior to our French Connection concert. After an evening of solo pieces by Fauré, Debussy and Ravel, he ended the program with three preludes by […]
The French Connection (Fauré, Debussy, Ravel and Gershwin) Mozart, Mostly (His view of the Bachs and M. Haydn; Schnittke’s view of him!) In this season of “change” we began the fall with three concerts at […]
Music of the homophonic-melodic style of composition, that is, music with a main theme, accompanied by and based on harmony, produces material by, as I call it, developing variation. This means that variation of the […]
“In the course of time the distance between sources diminishes. Beethoven, for instance, did not need to study all that Mozart studied–Mozart, not all that Handel–Handel, not all that Palestrina–because they had already absorbed the knowledge […]
Pianist Randall Hodgkinson has in recent seasons been on his own personal quest of re-discovering the Goldberg Variations, performing them in the solo piano arrangement on a faculty recital at the New England Conservatory of Music, on […]
Our Thirty-Second BCMS Season begins with a program consisting of Bach’s Goldberg Variations and Mendelssohn’s D minor Piano Trio. It is a program that highlights the simple act of rediscovery we each experience on hearing […]
Our last program of the thirty-first season concludes with three great virtuosic works—by Mozart, Mendelssohn and Françaix—that allow us to collaborate with instruments beyond those played by our member musicians. Each of these works brings […]
“What’s Past is Prologue” –Shakespeare “After it, follow it, follow the Gleam.” –Tennyson Our April program contains three works, including one premiere, that each owes existence to a shining example from the past. Beethoven’s […]
The Turina Piano Quartet, Beethoven’s early Viola Quintet and the later of the two Fauré Piano Quintets present three alternative yet affirmative ways in which a composer’s chamber music can project the inner life and evoke cultural atmosphere that […]
Each of the works on our February 2014 program blossoms from the iconic arrangement, albeit in different ways, of four simple tones. The Handel-Halvorsen Passacaglia for Violin and Viola is a set of virtuoso variations, […]